篇一：读《警察与赞美诗》有感
读《警察与赞美诗》有感
《警察与赞美诗》中，流浪汉苏贝因无家可归又饥寒交迫，于是故意以身试法，想寄宿在监狱中熬过寒冬。他去饭店吃饭故意不给钱，他在平静的街市大喊大叫，他偷顾客的雨伞，甚至故意当着警察的面调戏妇女，却均徒劳无功，不被法律理睬，而当他站在教堂前，聆听着赞美诗，想从此振作精神，积极生活的时候，警察却判处他三个月监禁。
读到此处，最初是啼笑皆非，欧亨利的小说果然十分幽默，结局也是意料之外，情理之中，可细细想来，整个戏剧化的过程却让我陷入了沉思。
从警察对流浪汉之前所做的行为的不闻不问，深刻揭露出了当时社会的黑暗，他们并不去逮捕那些真正犯错了的人，甚至根本没有作为一名警察的责任心，他们不想费心思去管理违反治安的人，反之，却为了例行公事去责问逮捕一些没有过错的人。
其实，在本文中，流浪汉苏贝是以一个人，但是却代表着两个不同的人物形象出现在文章中的。
开始时，他为了可以找一个地方熬过寒冬，竟愿意放弃自由去监狱中生活，想到这，是不是觉得很可悲呢？一个人愿意放弃最宝贵的自由来交换三个月的不愁食宿。当时并不是没有慈善家，可是苏贝认为他会遭受精神上的侮辱，因为吃他们的，用他们的，做什么都要被了解的清清楚楚。文中提到苏贝是一个性格高傲的人，我倒觉得他只是一个有自尊的人。
后来，他决定到处违纪，得到警察的注意，逮捕他，这样做固然是不对的，但却从侧面揭示出了警察的不堪，社会的迂腐。
流浪汉代表的第一个人便是一个不断违纪的人，可警察却从来不抓他。
在文章临近结尾的时候，流浪汉代表是第二个人物出现，他听着赞美诗，想振作精神，积极生活时，警察却责问他干什么，苏贝回答没干什么，却被无缘无故的带走关监禁三个月，是不是十分荒诞呢？
欧亨利的小说虽然十分幽默，却又引人深思，这些又岂不是作者身处特定社会生活的印记与真实时代的真实写照呢？那个巧取豪夺、坑蒙拐骗、利欲熏心、尔虞我诈的丑恶行径。那个金钱万能、唯利是图的社会中，人性已经开始发生了畸变。
读完《警察与赞美诗》，心情变得有些沉重，这绝非是毫无深意的谈资笑料，而是作者对社会黑暗的深层的觉悟与反思。
风华中学
祝咏絮
高一（七） 四川北路衡水路89弄5号101室
篇二：警察与赞美诗的英文读后感[1]1
The Cop and the Anthem
The key word:Cop/vagrant/crime/prison/winter/arrested.
The Cop and the Anthem is one of O.Hey's representative works. This novel
describes a vagrant who is jobless, homeless and commits crime on purpose so that he can be put into prison in winter. However,things don't goes as he expected. But when he makes up his mind to give up evil and return to good, he is arrested.
Based on the whole text, the author's humor is present in various ways, one of
which is through irrationality during the development of plots. soap, the vagrant who has stirred up trouble for six times, is eager to go to prison. But he is always out of luck and get policeman's forgiveness. When soap is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons. This way is a kind of black humor manifesting social reality profoundly. We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.
Once, soap wants to reach his goal by molesting a woman, soap straightened the
lady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women.but the seeming virtuous and quiet woman begin to seduce him in reverse.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds. I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak soap . Besides, soap steals an umbrella from a neatly dressed customer, but the umbrella is ill-gotten originally.''Of course,''said the umbrella man''that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll.So the
modest and lady and gentleman turn out to be someone that we cannot imagine, which is not rational. Nonetheless, as a matter of fact, they just hide their dirty acts under a beautiful veil and a small sign can indicate a great trend, we can learn that the so-called noble upper class goes more serious than the two. These plots reveals awful mood of that capitalist society.
In addition, the conflict between the irrationality of Soap's behavior and the
rationality of the cop's judgment is one of the important reasons for Soap's "misfortune". For example, soap breaks the glass and wait for the policeman to come and arrest him, but the cop reckons that a man who commits evil won't sit and wait for arrest, men who smash windows do not remain to parley with the law’s minions then he excludes soap. Besides, he wants to break the peace by virtue of kicking up a fuss in the street, identically, the cop deems that only college students dare to be so unbridled and boisterous''Tis one of them Yale lads celebrate’ the goose egg they give to the Hartford College. Noisy; but no harm. We have instructions to lave them be. His abnormal conducts is determined by his distorted mentality, which exactly reflects torture and agony both in life and mind oft he low-class. When the poor guy intends to do good the moment he is moved and inspired, the cop believes a vagrant will never something to do with the quiet atmosphere around a church, the soft lamplight and the touching music. Consequently, soap is caught unexpectedly. “What are you doing here?” asked the officer. ''Nothing,'' said soap''Then come along.''said the policeman. ''Three months on the Island.'' said the Magistrate in the Police Court the next morning.. It is the accident that mirrors confusion of truth and falsehood, black and wright.
Needless to say,there are many ways to represent humor, they have one thing in
common--where there is humor, there is specific implication. The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life and mental distress are mirky. O.Hey uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.
About The Author
O. Hey is one of the most famous American critical realist short story
writers, and one of the world's top three masters of the short stories. O. Hey's
real name was William Sydney Porter.
O. Hey was born in Greensboro, North Carolina on September 11,
1862. At age of 20 (1882) he moved to Texas, where he had various jobs.
He married Athol Estes in 1887, in 1894 while working for First National Bank
in Austin, Porter was accused of stealing $4000. He went to prison in Columbus,
Ohio for 3 years eventually. While in prison Porter first started to write short
stories and believed that he has found his pseudonym there. After Porter was
released from the prison in 1901, he changed his name to O. Hey and moved to
New York in 1902. From December 1903 to January 1906 o. Hey wrote a story
a week for the New York World magazine, and published several short stories in
other magazines.
O. Hey's short stories are famous for their surprise endings, his wit, wordplay
and humor. He wrote such classic short stories as The Ransom of Red Chief, The
Gift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings,
The Last Leaf, The Cop and the Anthem,etc.
In his last years O. Hey had financial and health problems. An alcoholic, O.
Hey died on June 5, 1910 in New York City, virtually broke.
篇三：《警察与赞美诗》读后感
当人们真正想要努力去做了，上帝偏偏又开始吝啬了，反悔了，赖皮了。 不可否认，机遇是不等人的，它不是被动的，不会等着你去分析这，分析那，考虑这，考虑那等一系列琐碎的事件后，再决定去做。或许它本身就是个稍纵即逝的“精灵”，它考验的是我们的勇气与胆量，智慧与灵魂。但也不是说，所有的事都不应该经过深思熟虑，周密安妥的进行，如果是这样，那么我们与远古时代又有何分别？ 当然机遇也是需要珍惜的，需要好好利用的，碰到机遇已经是很“困难”的，要充分地彻底地去利用，却是“难上加难”。怎样去更好地“完善”它，是个重点。 那位警察，不是已经给了索比多次机会吗？而索比并没有为此去认识到什么，只是一味地无休止地不停地为着他心中所谓的“目标”继续扮演着生命的“小丑”，乐此不疲。而幸运的他，总在“舞台”上有写“失足”，但终究被当作“笑料”，一笑置之。 一场“戏剧”的结束，意味着另一场“戏剧”的开演。对警察而言，只是去例行公事；对读者而言，只是将近结尾；对生活而言，只是个小插曲；对编剧而言，是个不错的情节；对观众而言，只是对得起一张票；对索比而言，是对生命的新想法地靠近，是为他先前的“无知”付出的代价，是为他不懂的珍惜从他手中逃脱，也许可以扭转他命运的“机遇”而对其藐视所得到的教训的最终结果。 如果他会怪任何人，那么证明他的确活该；如果他只怪自己，那么他就能大声地对自己说：“三个月，也不算太久，我会珍惜并且把握住每一天的光阴。幸福，其实并没走远，只是我忽略了。等着吧??” 幸福，其实并没走远。没错，主宰幸福的有很多，机遇是其中的一个。不要等到上帝不耐烦了，毕竟他也有喜怒哀乐，给你个下马威，到那时，就好象太没“人情味”了。受苦的可是自己。 珍惜周遭的人或物，它们每天都在改变，只是我们太忙，没看见。机遇，就好比是遇到的机会，是件好事。好好把握，将它的好处发挥至极，则是一件“美”事。一个人的生命中会有形形色色的状况，每一个状况所具有的意义却是截然不同，大相径庭。选择不同的状况，就会有不同的人生，不同的命运，不同的变化??所以，我们要将机遇“透明化”，完全看清，这样，才不会误入歧途啦。 倘若相反，结局就会如同索比：惊恐地醒悟到自己已经坠入了深渊，堕落的岁月，可耻的欲念，悲观失望，才穷智竭，动机卑鄙。 机遇遇到却不把握，是蠢材；不遇机遇却懂得把握，是人才；既遇机遇又懂得把握，是天才。
《警察与赞美诗读后感》
由：免费论文网互联网用户整理提供,链接地址：
http://m.csmayi.cn/show/177249.html
转载请保留,谢谢!
- 上一篇：看今日说法有感
- 下一篇：夏日邀请函